Wildcast

Where are you filming this picture?

We’re based Malilangwe Reserve in Zimbabwe. It is located in the south-eastern part of the country and adjoins the Gonarezhou National Park (Google Earth link). Gonarezhou is part of the incredible Peace Parks initiative and will form the Northern sector of the 35,000 km² Great Limpopo Transfronier Park

Why did you choose this area?

Having been on Mala Mala Game Reserve in South Africa for about 10 years it was time for me to move on. I knew Malilangwe having worked here some 10 years ago for about 3 months. So I knew the area fairly well. But it’s the absolute beauty of the area, the stunning landscapes of Sandstone ridges, Acacia tortilis woodlands forming a closed canopy and open under story for hundreds of meter, Mopanie woodland, Brachystegia woodland, savannahs, grasslands and rivers just provide for such amazing diversity which is reiterated in the diversity of animal species. The look of Malilangwe is very different to other areas in Africa and it is this new look on Africa that I want to give to audiences around the world.

What is the movie going to be about?

At present we are working on a film about wild dogs. We’ll be following their lives over a period of 2 years. But not continuously. We are working with the wild dogs for about 4 months this year while they are denning. This is because they are then restricted to the area around the den. Once they leave the den they travel such vast distances we just wouldn’t be able to keep up with them. We will then film them again next year when they den. And should we pick them up in the course of the year we will spend time with them when possible. Then when not filming wild dogs, we’ll be working on a number of other projects that include: Elephants, Leopards, Lions, Ground Hornbills, the Baobab tree, hyaenas. As we’ll be based at Malilangwe for the next 4 years we’ll be working on all these projects and also anything else that may crop up.

What is it about wild dogs that makes them such a special subject?

Wild Dogs are a highly endangered species and today are restricted to very few areas in Africa. These animals are incredibly social and probably Africa’s most efficient hunters. They are very charismatic animals and provide for much entertainment. But it is their plight that will be central to the project in that I’m hoping we’ll provide entertainment that will spark action to help conserving these amazing animals.

How long will it take you to complete?

We’ll work for about 2 years on the project but not full time on the dogs. I expect each project will get 9 t0 10 months shooting time allocated to it.

Take us through your typical daily routine?

Our day usually starts at about 15h00 when we wake up and have our main meal of the day. (Other meals are eaten out in the field and for me it’s usually a peanutbutter and syrup sandwich and some fruit. Can’t do without my daily dose of nutbutter!).

Leave camp around 16h00 and spend the afternoon and then the whole night out filming. (We get some rest in the night sleeping on our camera boxes. That’s if our subjects are sleeping). Then we return to camp any time from 8h00 to 10h00 depending on what’s happening out there. There have been times when I’ve been in the field for 3 days without returning to camp.

What equipment do you use?

I’m shooting on High Definition, using the Panasonic Varicam. I use Fujinon HD lenses. The 16.5mm to 413mm and a wide angle 4.5mm to 59mm.

How do you find the animals each day?

Finding the dogs daily is easy while they’re denning. But once they’re on the move they travel such vast distances that we’ll battle to keep up with them. We are planning on using radio telemetry in the future.

Do you have a script in mind before you start filming or does it all happen on the fly?

We have rough ideas of a story before we start filming which is mainly based on my knowledge of the animals. But the real script only comes at the end of shooting in the field and we can assess what material we have and how to structure it into the film.

Where in the process do you start editing the film?

We’ll start editing only once we have about 90% of the film shot. The rough edit will helps us to see what shots are still necessary to polish the edit.

Which parts of the production process can be done onsite in the bush?

We have an edit suite in the field and will take the project at least to the rough cut stage, but we do have the capability to take it to picture lock which we hope to do in the future.

What has been your most exciting moment so far during filming?

Seeing a leopard in action has to be one of the most spectacular things to witness. And not many do and even less get to film it. I’ll never forget the day I filmed a leopard in the film “Beauty and the Beasts”, take out a male impala in mid air. Such acrobatic splendour.

Do you ever feel in danger when you’re up close and personal with some of your subjects, especially the big cats?

Whenever I’m in my vehicle, which is totally open, I feel totally secure. Well except when an angry elephant cow charges and hits the vehicle several times. But all cats are to be respected and only after having worked with a specific animal for 6 months or more will I trust that I can read that animals behaviour and start feeling safe around it.

How do you film at night without interfering in the action with lights, etc?

We film animals at night using lots of tungsten light. I’ve been doing this for the last 18 years and am totally aware of the effects lights can have on animal behaviour, and I’m very sensitive about it. Because of this we use a lot of light that lights up the whole scene and not just the animal we’re focussing on. In this way the animals aren’t blinded and go about their natural behaviour.

We have the lights on a separate vehicle to the camera. So whenever we’re out filming at night we are always in 2 vehicles. This allows me to have the lights where I want them, and the whole time I’m trying to create as natural a look as possible. So we invariably are backlighting the subject and getting the image to look as moonlit as possible.

What has been your greatest filmmaking achievement thus far?

I think my greatest achievement so far has been my latest film “Hyena Queen” (or “Hyenas at War” in the US). This film has only just been released so time will tell how well it does. But this film took me right into a clan of hyaenas that I literally became accepted as a clan member. I had access to the clan the far beyond anything I had ever imagined. This is a beautiful film and I’m hoping to get a strong message across in it to reverse the myths that surround this incredible animal, and put it on the map where it rightfully should be. A cuddly hyaena toy? No you won’t find one anywhere in the world. But just imagine and hyaena cub toy that whoops and giggles when you press it?! [The film airs on National Geographic in 2,3,10 September 2006)

What can we expect from the wildcast blog over the coming months?

The wild dogs will be the focus of our filming for the next 2 months and then the dogs will be on the move. Then it will be on to the elephants. But in the next couple of months it’s going to be interesting to see how BB’s pups fare. Will they all make it as the pressure to feed them all rises as they get bigger.

By following along here at Wildcast, we promise to take you up close and personal with some of Africa’s most interesting animals, especially the main subjects of the film - the critically endangered African Wild Dog, Leopard, Hyaena and other predators.

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